Primary and Secondary Lines
by Ron Meredith
We use aids to teach things to horses. In teaching
horses to heed, we define an aid as a methodically
applied directional pressure used to create a shape.
Aids need to be horse logical. That means they must
make sense to the horse in terms of what his natural
instincts tell him to do.
The
horse has two lines of influence. So does the trainer.
Heeding uses these lines of influence to create horse
logical pressures that indicate the shapes we want
the horse to take. By changing the relationship of
these lines of influence, we can ask the horse to
walk, trot, stop, back or turn and to do those things
in a particular direction at a particular speed.
The
PRIMARY LINE OF INFLUENCE runs the length of the horse
along its backbone, straight out the front between
its eyes and straight out the back. We're not talking
about an actual line but about the horse's perception
of things in his environment. Your primary line of
influence runs the same direction from your nose through
the back of your head. The SECONDARY LINE OF INFLUENCE
runs through the horse's shoulders or yours from side
to side. These primary and secondary lines are natural
areas of attention for the horse.
Let's
say its the first time you are meeting a particular
horse. The horse is loose in an arena and you start
walking quietly behind the horse, lining up your primary
lines. If you move left, the horse will turn its head
to keep on eye on you. If you move right, the horse
will turn its head that direction to keep an eye on
what's going on. If the horse looks away from you,
make a little fuss to get his attention back on you.
If the horse has an eye on you, the fuss can be some
little change in motion, either faster or slower or
in a new direction. If the horse isn't looking at
you at all, the fuss can be a little sound like a
click or a cluck or a whistle.
When
the horse gets bothered enough by the fuss and the
following, he'll turn and face you to put both eyes
on you. The exact reaction you get will depend somewhat
on the temperament of the horse, its age and experience,
even its gender. For example, a young colt will turn
to put his primary line in line with yours and he'll
raise his head to grow taller and get a good look.
His ears might flicker back just to check to be sure
nothing is coming up behind him but generally they'll
be pointed at you. A young filly wants to be safe
and she'll be more flighty and reactive. An older
alpha mare may turn her head to put both eyes on you
but she'll tell you she still thinks she's the boss
by keeping her hindquarters pointed in your direction
and cranking her ears back.
This
turning to face you is the first understanding. Horse
logically, it says that even though you're following
like a predator, the horse is beginning to think you're
safe. The next step is to walk directly toward the
horse keeping your primary line aligned with his.
If the horse says not to come any closer by starting
to turn away or showing any sign of nervousness, stop
and step back. The horse shows how much he trusts
you by how close he allows you to approach. If you
go only to the point where his trust ends and back
off, he'll trust you more. Go back to a sequence of
following and fussing and approaching to continue
building trust.
After
2 or 3 days of this, the horse will start coming right
up to you. When he does, move to the side and face
the horse's shoulder. So you put your primary line
on the horse's secondary line. You're going to use
this position as a cue that tells him he's in a safe
spot and he can relax. Scratch and groom him like
another horse would greet and groom him to reinforce
this cue. As the lessons progress, you want to work
both sides and continue building the feeling that
whenever you're at his shoulder facing him, he's safe.
The
shape of the arena has nothing to do with the feeling
that's created between you and the horse. You can
teach a horse to heed in a round pen or a square pen
or an oblong pen. You can even teach him in his stall
if that's all you've got. It's the relationship between
your primary and secondary lines and his lines that
creates a feeling or a shape in the horse' mind, not
the shape of the training area.
Now
that the horse is beginning to understand there is
a relationship between his lines of influence and
yours, you can methodically start creating corridors
of pressures that horse logically indicate a direction
and create the shape that you want the horse to move--forward
or left or right or not moving at all, straight or
curved, etc. In the starting position for an action
such as leading, for example, your primary line of
influence is parallel to the horse's primary line.
Your secondary lines are aligned together running
through your shoulders and the horse's at the same
point.
When
you are working on the ground, the horse can see how
as well as feel how the relationship between your
lines of influence is changing. Your eventual goal
is to create a feeling that the horse can associate
with the changing relationship of your lines of influence
even when he can't see you because you're up on his
back.
As
you make the transition from the ground work to saddle
work, your primary and secondary lines will align
with horse's from above. As you move your primary
line, you are still using your legs and hips to shape
the direction you want the horse to move his primary
line underneath you but now the horse feels new physical
pressures on his body. Your secondary line still runs
through your shoulders but now when your shoulders
move, you are adding movements of your hands and the
bit to the pressures on the horse. The shoulder-hand-bit
connection now tells him how you want him to move
his secondary line. You are still creating pressures
by moving your primary and secondary lines relative
to those of the horse, but moving those lines now
creates more sophisticated pressures to create more
sophisticated shapes. The horse can no longer see
you moving your lines of influence, he can only feel
what it's like when you move them.
©
2001 Meredith Manor International Equestrian Centre.
All rights reserved. Instructor and trainer Ron
Meredith has refined his "horse logical" methods
for communicating with equines for over 30 years as
president of
Meredith Manor International Equestrian Centre,
an ACCET accredited equestrian educational institution.
Rt. 1 Box 66 Waverly, WV 26184 (800)679-2603 Return
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